Showing posts with label bill blass. Show all posts
Showing posts with label bill blass. Show all posts

Wednesday, 10 August 2011

Dresses Heed Decor

While I was researching my Bill Blass posts, I came across a fabulous article from the May 24, 1963 issue of Life magazine entitled Dresses Heed Decor.  The tag line read, "as a man designs, so shall he decorate," and it featured the apartments of three of the top fashion designers of the day, Bill Blass, Arnold Scaasi, and John Moore.  I found a few more photos of each and except for a few details, they look pretty chic to me. 

The top photo and this bedroom belonged to Bill Blass when he lived at 444 East 57th Street.  It had previously belonged to the model Suzy Parker who sold it to Blass after she married Pitou De Le Salle.  He mentions the Life article in Bare Blass where he describes it as "all too evident - exactly what you'd expect of someone eager to be perceived as a sophisticated extra man...the style of 444 did convey something of the youthfulness and energy of the sixties. And up until then everything in fashion and decoration came from the old."

It's interesting to see how much sparser his style became in later years.  He also says in the book, " I suddenly realized that I couldn't stand the idea of a house full of mementos and crapola."

Apparently, John Moore was once a designer for Marilyn Monroe and his apartment exudes glamour.

The show stopping apartment in the article belonged to Arnold Scaasi.  "Two-stories high, with windows overlooking Central Park, it is a rich melange of color and texture combining blue velvet banquettes, gilded chairs shaped like hands (bought in Mexico) and an enormous rug which this summer he plans to replace with a mat of fake green grass."

Looks like the blue velvet banquettes were also slip covered for summer when the green grass carpet was rolled out, below.  I just hope he kept those Pedro Friedeberg gold hand chairs.  They are quite collectible!



Bare Blass

After I posted the Sutton Place apartment of Bill Blass, a few people mentioned his house in Connecticut.  I was waiting to post it until my copy of his book Bare Blass arrived.  I can't believe I didn't already own a copy.  Not only does he talk about his life and fashion but also his apartments and houses.  I highly recommend it for that reason alone.

"And then one day in 1976, Billy Baldwin and I were out looking for houses for sale in Connecticut, something we did a lot together, and I saw this wonderful old stone house.  It had such a dignity about it - and hideous red flocked wallpaper in the living room.  The place was built in 1770 as a tavern n the old Albany Post Road.  The house came with six acres, and I bought the adjacent apple orchard, or what was left of it.  Twenty-one acres in all.  I moved in a few months later." - Bill Blass













Wednesday, 27 July 2011

Blass Act

Since I mentioned fashion designer Bill Blass in my last post, I thought his One Sutton Place apartment deserved a little love.  I've found a lot more photos of the elegant apartment since I first wrote about it in 2008.  I still love his quote about interior design, "I have always thought that fashion designers are the best interior designers. I love it. It's all a question of the eye; you are soliciting the same innate talent."

"There is nothing feminine about that apartment on Sutton Place or the Connecticut house.  There's nothing feminine about the way he entertains.  The flowers are not feminine.  There's just a bunch of one of a kind." - Mica Ertugun

"There's no question that I find houses and decorating absolutely fascinating.  That really turns me on. That's when I get excited." - Bill Blass

Blass worked on the One Sutton Place apartment with Chessy Rayner and Mica Ertugun of the interior design firm MAC II.

As any apartment does, it went through changes over the years and his famous Picasso drawing replaced a map over the fireplace.

I might have to go back to The Metropolitan Museum of Art to see if left them this head.

"There is a sense of dignity, a simplicity and a classicism in my clothes which can be read into the apartment. As I am surrounded with colours and fabric all day I look forward to a monochromatic home. I work in fashion - I don't want to live somewhere that looks fashionable." - Bill Blass

"I moved in solely because of the height of the ceilings and the size of the rooms, and because they were square. I mean, square is the perfect shape for a room." - Bill Blass
"I absolutely believe in Pauline de Rothchild's theory that lamps are the most jarring note in almost any home.  She only brought them out at night when they were needed.  Otherwise, they were to be banished, like the Hoover sweeper." - Bill Blass

"What I have here is the result of a lifetime of collecting. There is no relationship between the things themselves - except that I like them. You know how American women choose to wear a dress and invest it with their own spirit: I admire that sort of philosophy, and when I collect things, I choose how they are going to look in my life. The way I decorated here was to surround myself with the things I love...and they all have great dignity. And although I choose all the furniture and pictures, I did, as a bachelor, seek out a woman to put it all together...I had the advice of Chessy Rayner." - Bill Blass
 












Drawing of Bill Blass bedroom by Jeremiah Goodman